Monday, April 25, 2016
Wednesday, April 13, 2016
The Reel and Real Women of Nollywood
(Tam Fiofori)--In the early 90s, when Nollywood was less than a decade
old, I had in a three-part study characterised it as “providing instant fame for
the girl and boy next door and instant fortune for a hybrid of producers.”
Nollywood was a phenomenon which in its development had minimal links;
technically, professionally and ethically with the older Nigerian Television
and Celluloid-film industries. It set its own standards, which sadly, were
based on the business ethics of its principal financiers, electronic equipment
traders turned producers/marketers. These basically uncultured traders with
limited education shaped and called the shots in Nollywood, driven by the
desire for huge profits from little financial, aesthetic and cultural
investments.
Kate Henshaw: Revisiting Nollywood Journey

You
look great, what is the secret?
(Laughs) I just try to work as hard as I can. And when
ever I find time between six and nine o'clock in the morning, I'm in the gym
for my massage and facials. As a women who is eye of the society, it's
important I do this because, my body is my workshop.
7 Reasons African Female Directors Rock

We spoke to seven great female directors from Africa to
ask them what they love most about their work -- and why you should too.
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