Showing posts with label Sylvester Asoya. Show all posts
Showing posts with label Sylvester Asoya. Show all posts

Monday, October 21, 2019

In Need of Artistes and Intellectuals like Sofola


(By Sylvester Asoya) - “The Artist and the Tragedy of a Nation”
          On March 28, 1991, the late Professor ‘Zulu Sofola, Africa’s first female professor of Theatre Arts delivered one of the most reflective and scholarly inaugural lectures in Nigeria. Sofola, prolific playwright, astute administrator and scholar par excellence was at the time, head of the Department of Performing Arts, University of Ilorin. For those in the audience, the playwright’s superlative performance was not only outstanding, it was also record-breaking. 
          An inaugural lecture is an event of great importance in the life of every academic. It provides a rare opportunity for the newly elevated professor to inform his or her colleagues, the university community and the public of his or her research outcomes and plans for the future. Sofola, who had returned from her sabbatical leave in the United States two years earlier, used the occasion to speak, and eloquently too, on the artiste and a nation on the edge. 
          In 1991, Nigeria’s tragedy was not close to home. For instance, the chaos in public universities today was only incubating and hope was not a scarce commodity. Apart from the fact that there were a good number of Nigerians with discretionary incomes in the middle class, prices of goods and services had not hit the roof, despite Ibrahim Babangida’s voodoo economics. Today, ignorance, hopelessness, ineptitude and disillusionment reign supreme and nothing is being done to reduce poverty, promote inclusive growth or engender hope.

Tuesday, September 24, 2019

Of Fela, His Music, and Social Change


(By Sylvester Asoya) - “Arrest the Music!” 
I met Professor Tejumola Olaniyan a couple of times just before his exciting work: “Arrest the Music: Fela and His Rebel Art and Politics” was released.
The amiable scholar who teaches African Cultural Studies and English at the University of Wisconsin, Madison, told me some interesting stories about Fela during the course of our conversation. The most fascinating for me, is the growing popularity of the Afrobeat king at leading centres of learning in the United States and other parts of the free world. According to him, Fela is currently a subject of great interrogation and extensive study, especially on issues of popular culture and mass mobilization. 
Olaniyan also revealed the origin of his bizarre title, “Arrest the Music!” “Arrest the Music!” was actually a military order by an unlettered soldier on sighting Fela on the performing arena during one of those government sponsored raids on Kalakuta, Fela’s former residence around Ojuelegba area of Lagos in 1977. 
But Fela was indeed, the music! On this score, I think the untutored soldier voiced unusual philosophy.