Novelists, NGO workers, rock musicians, conservationists, students, and
travel writers track down my email, asking: Would you please comment on my
homework assignment / pamphlet / short story / funding proposal / haiku /
adopted child / photograph of genuine African mother-in-law? All of the people
who do this are white. Nobody from China asks, nobody from Cuba, nobody black,
blackish, brown, beige, coffee, cappuccino, mulatte. I wrote “How to Write
about Africa” as a piss-job, a venting of steam; it was never supposed to see
the light of day. Now people write to ask me for permission to write about
Africa. They want me to tell them what I think, how they did. Be frank, they
say, be candid. Tell it like it is. I have considered investing in a rubber
stamp.
I have imagined myself standing at the virtual borders of Africa, a
black minuteman with a rubber stamp, processing applications — where YES means “Pass
go, pay one hundred dollars,” and NO means “Tie ’em up and deport ’em.” It’s
almost a sexual thing. They come crawling out of the unlikeliest places,
looking to be whipped. I am bad, Master Binya, beat me. Oh! Beat me harder. Oo!
They seem quite disappointed when I don’t. Once in a while I do, and it feels
both good and bad, like too much wasabi. Bono sent a book of poems.
