Of Africa, Colonialism, and a Granny's Memory

"How I mumbled adoring, reverent prayers to my grandmother in those early days of my market gardening. My grandmother, who had been an inexorable cultivator of land, sower of seeds and reaper of rich harvests until, literally until, her very last moment. When I was too small to be anything more than a hindrance in the family fields, I used to spend many productive hours working with my grandmother on the plot of land she called her garden. We hoed side by side strips of land defined by the row of maize plants each carried, I obstinately insisting I could keep pace with her, she weeding three strips to my one so that I could. Praising my predisposition towards working, she consolidated it in me as a desirable habit.
          She gave me history lessons as well. History that could not be found in the textbooks; a stint in the field and a rest, the beginning of the story, a pause. 'What happened after, Mbuya, what happened?' 'More work, my child, before you hear more story.' Slowly, methodically, throughout the day the field would be cultivated, the episodes of my grandmother's own portion of history strung together from beginning to end.
          'Your family did not always live here, did not move to this place until after the time that I was married to your grandfather. We lived up in Chipinge, where the soil is ripe and your great-grandfather was a rich man in the currency of those days, having many fat heard of cattle, large fields and four wives who worked hard to produce bountiful harvests. All this he could exchange for cloth and beads and axes and a gun, even a gun, from the traders. They did not come to stay in those days; they passed through and left. Your great-grandfather had sons enough to fill a kraal, as big, strong, hardworking men. And me, I was beautiful in those days,'

Nollywood, Piracy, and Post-Colonialism

(By Jack Kyono) – At this year’s Toronto International Film Festival, cinephiles and entertainment reporters are abuzz with excitement, the latter framing out the headlines of what has quickly become one of the premier events of the year for film screenings, celebrities, and industry gossip. Many of the top stories come from the usual stars: Chloë Grace Moretz shines in her new film, Brain on Fire; the success of the Rob Reiner-directed biopic, LBJ, affirms the rom-com icon’s successful transition to more serious material, and designer-turned-director Tom Ford unveils the first trailer for his stylish, sophomore feature, Nocturnal Animals.

Behind all the usual Hollywood headlines, however, lies a storyline unknown to the average American, but one that could mean a world of change for an entire continent. As part of the TIFF’s “City to City” program, highlighted are the films of Lagos, Nigeria’s largest city and the center of its prolific and controversial film industry, Nollywood.