Of Oro, Yoruba Religions, and "Live and Let Live"

(By Pius Adesanmi) - Live And Let Live

If you are Yoruba and you are older than the Facebook or Twitter generation of Nigerians, if you are struggling to cope with expressions such as LOL (laugh out loud) , LMAO (laugh my ass off) OMG (Oh my God), and 9ja (Naija) in emails and texts you receive daily from Nigerians in their teens and twenties, chances are you grew up in a village in Yoruba land where life is suffused in culture, tradition, and a panoply of ancestral rituals and spiritual observances, all instances of man shaping order out of primordial chaos. 

Chances are, growing up, you partook – as audience or celebrant– in a very colourful tapestry of ancestral liturgies: Ogun festival, Sango festival, Imole festival, Egungun festival, and, of course, Oro festival, the fear of which is the beginning of wisdom for Yoruba women. 

Chances are you enjoyed the atmospherics of these observances, partook of propitiatory offal, sang, and danced to a host of inspirational choruses and processionals welcoming the ancestors and the orishas into the realm of unworthy mortals at each spiritual enactment.

Millennial Priestess Rejuvenates Orisha Tradition

(By Wana Udobang) - Why you should care 

Because ancient practices should be understood, not left in the shadows.

Omitonade Ifawemimo presents as a modern-day sage, with gleaming eyes, a petite frame — and wisdom to spare. She is in fact a 20-something Orisha priestess, with an easy smile and tightly knotted hair. And she has made it her mission to teach and preserve the Orisha and Ifa spiritual practices, which are indigenous to the Yoruba people of Nigeria and adjoining parts of Togo and Benin.

“When you see her in person, she is this tiny presence,” says journalist and culture historian Molara Wood. “She is not this image of an intimidating traditional-religion adherent that a lot of Nigerians have.” 

Ifawemimo’s journey started at the age of 5 when she was initiated into the Orisha traditions by her parents, and by 15 she found herself dining with elders and mastering the art and science of divination, chanting and rituals. At 20, through a combination of study, practice and heeding the spiritual call, she earned her place as a priestess.

Choosing the Ooni's Successor

(Dele Momodu)--Fellow Nigerians, let me confess that my trip to the ancient city of Ife last Thursday was a most harrowing experience. As a matter of fact, the drive itself was very smooth devoid of the usual hurly-burly on that notorious Lagos-Ibadan Expressway. We set forth on our journey around noon not knowing what to expect along the way. Road travel in Nigeria has defied common logic. You require methods to the malfeasance and madness of our dare-devil drivers. We drove all the way to Ibadan without any major drama of bottlenecks and we thanked God for journey mercies.

The second leg of our journey was from Ibadan to Ile-Ife.

As the Ooni Retires to the Penthouse

Ooni of Ife; source: informationng.com

(Pendulum by Dele Momodu)--Fellow Nigerians, the controversy surrounding the health status of The Ooni of Ife would have been unnecessary if many of us had understood or respected the Ife tradition. Ile-Ife being the cradle of civilisation is steeped in endless myths and the ancient town parades countless pantheons for about 401 deities who are worshipped all year round. 

Ile-Ife and Benin City cherish their culture and never joke with tradition. They revere their kings and hold on fastidiously to the belief that these kings can never die, they can only retire to the ceiling, a concept that is probably alien to members of the modern generation. This is why it is possible for a powerful king to depart this terrestrial space unannounced for months by the traditional institutions. The people have accepted a system that may seem abnormal to foreigners but not to us.

What has made The Ooni’s case so contentious is because the news of his departure escaped and exploded from abroad and our Ife Chiefs are righteously miffed about the antics of some busy-bodies who seem hell-bent on rendering them irrelevant. This is unacceptable no matter how modern the world as become. Traditions the world over are either kept or wholly jettisoned. There are sacred rites or protocols that are observed and performed by the Catholics at The Vatican. For example, there cannot be an emergence of a new Pope without the appearance of the famous white smoke. It is the same for the Muslims who must search, find and sight the moon before proceeding on starting or ending the Ramadan. Modernity has not been able to obliterate those age-old traditions.

The "Great Journey" of Ile-Ife's "Great Crown"

Source: exploringafrica

"In the history of Ile-Ife, 1903 was an earth-shattering year for the yoruba people. It was the year that the Ooni, the god-king of the Yoruba, encountered directly the full impact of British modern colonial rule. From the perspective of the Ooni and from the perspective of the colonial governor in Lagos, the year ended the preceding era and opened a new investiture for Ile-ife City and the Yoruba states of south-western Nigeria.

Although the governor, Sir William Macgregor, referred cursorily to the occasion as the 'Great Crown' case, to Ooni Adelekan Olubuse 1 (1894-1910) and to the Yoruba people, it was a precedent-setting 'Great Journey' because it marked the first time in the history  of Ile-Ife that an Ooni would venture out of his palace and beyond the center of the universe.

For Westerners, the occasion would have been tantamount to asking God to leave heaven to answer the call of a mere mortal.

The Ooni traveled to Lagos, then the center of British regional administration. For the Yoruba, news of the unprecedented journey provoked fear, anxiety, and uncertainty because it was a great taboo for the Ooni to vacate the sacred city of Ile-Ife to travel to another seat of power, however that power might be defined."

Jacob K. Olupona (2011: 77)

City of 201 Gods: Ile-Ife in Time, Space, and the Imagination

Orisha--Triumphing Territorial Challenges

Source: fineartamerica.com

"Currently, new religious movements active in Ile-Ife are engaging in a second wave of missionary efforts (begun in the 1970s and 1980s) to achieve the people's radical and total conversion to Christianity (or Islam), to create a new worldview based on Euro-American conservative Christian values (or conservative Islamic values), and to sow intolerance of indigenous cultures and traditions.

These efforts threaten the destruction of indigenous culture, values, and even language. Indeed, in a number of churches it is forbidden to speak the Yoruba language! There is also an attempt to creat a new space in which these new religions will increasingly challenge the authority and privilege of orisa indigenous culture at the center of Ile-Ife city life.

Although there is ample evidence that orisa traditions are in retreat, there is also significant evidence of their renewal. Throughout the world, Yoruba diaspora communities of the Caribbean and the Americas are repositioning Yoruba-derived traditions--Santeria in Cuba and the United States, Candomble in Brazil, and new orisa traditions among african americans in the United States and Trinidad--as global religious traditions whose influence and consistency extend far beyond the home base in Ile-Ife."

Jacob K. Olupona  (2011: 17)
City of 201 Gods: Ile-Ife in Time, Space, and the Imagination

Ile-Ife: City of 201 Gods

Photo source: wikipedia

"In The Pivot of Four Quarters, Wheatley indicates that no place in sub-Saharan Africa has such cosmic significance as the Yoruba city of Ile-Ife. Known as the City of 201 (or 401) Gods, Ile-Ife is the base of the entire Yoruba civilization and culture, and its significance goes far beyond the immediate geographical boundaries of Nigeria. The religious culture of Ile-Ife has influenced the development and growth of new African religious movements as far off as Brazil, the Caribbean, and the United States.

Ile-Ife, a city of about half a million, is situated at the geographical center of the Yoruba city-states. To the west lies Ibadan... and to the east lies Ondo, gateway to the eastern Yoruba city-states. Isle-Ife is about two hundred kilometers from Lagos, which was Nigeria's coastal capital city for over a century.

Unlike the political, commercial, and administrative cities of Ibadan and Lagos, contemporary Ile-Ife is a ceremonial city par excellence; like the cities of Banaras, Jerusalem, and Mecca. [I]n the people's imagination it is the preeminent sacred place, beyond the secular and the profane."

Jacob K. Olupona (2011: 36)

City of 201 Gods: Ile-Ife in Time, Space, and the Imagination

Yoruba Deities as Movie Superheroes

Photo source: thisisafrica.com

(This is Africa)--"Oya: Rise of the Orisha" is a feature film that blends the Western superhero genre with Yoruba mythology. The film garnered Internet attention following its Indiegogo crowd-funding campaign.

To find out more about the importance of retelling Yoruba mythology on a global stage, and about the strong female character of Oya, we sat down with director Nosa Igbinedion.

Philosophizing the Ifa Corpus

"Philosophising for the public should be about helping that 'modern' Yoruba fella understand that no philosophical text is superior to the Ifa corpus produced by the genius of his people; that the Western progress and modernity he celebrates while recoiling in Christian or Islamic horror at the first mention of the Ifa corpus were all once part of a Western 'pagan' intermesh of history, myth, and science until fellas like him applied themselves and separated the science from everything else; that the microphone that his pastor uses to give him gospel every Sunday was part of that pagan mix until the separation; that there is still room to separate that science from the Ifa corpus for the elevation of humanity if only he and I would study it, apply ourselves to a creative extraction of that knowledge, and stop diminishing it as an inferior pagan text."

Pius Adesanmi

You're Not a Country, Africa

Yoruba "Paganism" and Religious Tolerance in Africa

"Esin kan o pe k'awa ma s'oro." I have translated what it says and what it leaves unsaid but implied:
'Oro hampers no faith. Let no faith hamper Oro.' Here we encounter the first indication of intrinsic humanism of Yoruba spirituality: the valuation of pluralism. We encounter consciousness and validation of the spiritual essence of the Other. Indeed, we are in the presence of the accomodationist ethos of the Yoruba world view. For what this Oro canticle hints at and acknowledges is the presence of other faiths in its own spiritual space of actuation.