Of Oro, Yoruba Religions, and "Live and Let Live"

(By Pius Adesanmi) - Live And Let Live

If you are Yoruba and you are older than the Facebook or Twitter generation of Nigerians, if you are struggling to cope with expressions such as LOL (laugh out loud) , LMAO (laugh my ass off) OMG (Oh my God), and 9ja (Naija) in emails and texts you receive daily from Nigerians in their teens and twenties, chances are you grew up in a village in Yoruba land where life is suffused in culture, tradition, and a panoply of ancestral rituals and spiritual observances, all instances of man shaping order out of primordial chaos. 

Chances are, growing up, you partook – as audience or celebrant– in a very colourful tapestry of ancestral liturgies: Ogun festival, Sango festival, Imole festival, Egungun festival, and, of course, Oro festival, the fear of which is the beginning of wisdom for Yoruba women. 

Chances are you enjoyed the atmospherics of these observances, partook of propitiatory offal, sang, and danced to a host of inspirational choruses and processionals welcoming the ancestors and the orishas into the realm of unworthy mortals at each spiritual enactment.

Yoruba "Paganism" and Religious Tolerance in Africa

"Esin kan o pe k'awa ma s'oro." I have translated what it says and what it leaves unsaid but implied:
'Oro hampers no faith. Let no faith hamper Oro.' Here we encounter the first indication of intrinsic humanism of Yoruba spirituality: the valuation of pluralism. We encounter consciousness and validation of the spiritual essence of the Other. Indeed, we are in the presence of the accomodationist ethos of the Yoruba world view. For what this Oro canticle hints at and acknowledges is the presence of other faiths in its own spiritual space of actuation.