Friday, November 25, 2016

Charles Novia on Izu Ojukwu's '76

(By Charles Novia) - If there is a movie I would recommend for anyone to watch anytime, that movie would be ’76, Directed by the phenomenal Izu Ojukwu.
Usually, as a rule, I do not review or critique my colleagues movies, being a Nollywood Filmmaker myself. I limit my critiques to Performance Art and other pop culture highlights within such productions but in this case, I can’t help myself but to break my rule for once. And that is because, take it from me, this movie defines genres and breaks barriers.

Top 5 Nollywood Actresses 2016

Adesua Etomi
(By Charles Novia) - It’s The Novia List once again!
My annual ‘ Top 5 Best Actress/Best Actor’ list has always been released for the past three years during this period and it culminates for me, an exciting year in Nollywood wherein more than ever this year, there was a competitive slant in the quality of acting in the industry.

Nollywood Beyond Nollywood

Beyond Nollywood Green White Green; Photo Source: CNN.com
(By Nadia Denton) - There are some exciting content emerging from the Nigerian film space which is largely obscured from view because it does not fit the Nollywood model. The content on the periphery of Nollywood -- Beyond Nollywood as I have termed it is a growth area within the Nigerian film industry and in my opinion the most likely to cross over internationally.
The Beyond Nollywood weekender presents a motley collective of filmmakers who are creating work that subverts Nollywood both in content and style. Creatives who have interesting things to say about Nigerian culture that is frankly not out there and gives some indication of what is to come from this young industry.

Hooray for the Women of Nollywood

(By Tara Brady) - Making it in Nigerian film isn’t easy - just ask Tope Oshin Ogun [pictured] director, producer, actress, dialogue coach, casting director and mother of four boys.
Nollywood, as we are often told, is the third largest film industry in the world, placing just behind behind Hollywood in the US and Bollywood in India. The numbers are extraordinary; Nigeria produces an average of 50 movies each week and makes some $590 million each year.
Until her unexpected death in 2014, Amaka Igwe was one of the most authoritative figures in Nigeria’s cinematic landscape. Igwe, the writer, director and producer of such well-regarded films as Rattlesnake and Violated, helped transform Nollywood from a cheap and cheerful, amateurish, video- based sector into a professional industry, replete with its own film grammar, genres and pan-African audience.

Nollywood As A Lived Reality

(By Lota Ofodile) - For my Nollywood people, I’m pretty sure we’re all aware that when it comes to Nollywood movies, it’s never just about entertainment. From the greedy uncle of the recently orphaned children and their widowed mother (i.e. Pete Edochie), to the wicked and malicious mother in-law (i.e. Patience Ozokwor or “Mama G”) our movies have always had a lesson or two to teach, and you were sure to take something significant from them.  I am speaking particularly about mainstream Nollywood – because that is what I am most acquainted with. I am almost certain that the same is true for the Yoruba, Hausa and Igbo movies.
Right from time, the stories and plots portrayed in these films and shows were always aimed at something more, something greater—usually a moral significance of some sort. Just think about some of those classics that aired back in the day: Super Story, Dear Mother, Edge of Paradise, This Life, Fuji House of Commotion, Papa Ajasco, Binta and Friends, and many more! With a lot of our movies, there’s just so much more than meets the eye.

Nollywood Lite: A Movie in 7 Days

(By Binyelum Ewulluh) - For those who want to sharply make a movie without having to spend much money. Ever wondered how you could quickly produce a movie without having to spend much? You can stop wondering, I have the perfect answer for you.

Tuesday, November 01, 2016

Nollywood: Movie Producers Chart Way Forward

R-L: AMP President Ralph Nwadike, Board of Trustee Chairman
Eddie Ugbomah, Secretary General Forster Ojehonmon
(By Omiko Awa) – The leadership of the Association of Movie Producers (AMP), last week, met at its Suru-Lere office in Lagos to chart a way forward for the Nigerian movie industry, generally referred to as Nollywood.
Speaking on the myriad of issues facing the creative industry, AMP president, Ralph Nwadike disclosed that Nollywood could be self-sustaining if governments at all levels put the right policies in place and mandate relevant agencies to enforce them.
According to him, the Nigerian creative industry is not expecting government to spoon-feed it because it has all it takes to make money to sustain itself and even give loans to members to produce new films. He, however, noted that with the current situation where uncensored foreign films flood the market, aside piracy and cable pay stations showing Nigerian films for free to the public, filmmakers and marketers have been denied their main source of livelihood, making government to lose several millions of Naira that would have come in inform of taxes and other payment.

Scotland Goes to Nollywood

(By Judith Duffy) – The Champagne Room is the first Nollywood film shot in Scotland. Tonight it is being screened in Edinburgh at the Bedlam Theatre as part of the British Film Institute’s Nollywood Nights strand of the Black Star season, which celebrates black actors. The film is directed by Olumide Fadeyibi, and was filmed on location in both Nigeria and Scotland.
The Champagne Room follows the story of a journalist and political activist seeking political asylum in Glasgow, highlighting issues around domestic violence, human trafficking, drug crimes and immigration.
Fadeyibi said he believed it was the first Nollywood film shot in Scotland – but it took longer to shoot than usual.
“It took about two-and-a-half years to get done – I had a shooting schedule but it didn’t work out because of budget constraints and most of the actors were volunteers," he said.
“A typical Nollywood film is done in about three or four days – that is because there is very little budget as well, there is nothing fancy and they just tell the story.
“The story is based on real life experiences of harassment of press freedom, child abuse, human trafficking and immigration. It is more like a docu-drama being acted out.”
The boom in Nollywood is thought to have begun in 1992 with the making of the straight-to-video film Living in Bondage, about a man who is lured into a satanic cult - which sold more than a million copies.

5 More New Movies to Watch in 2016

(By Chidumga Izuzu) – Nollywood has had a riveting year with great films like "Oloibiri," "The Arbitration," "Green White Green," "93 Days," Wives on Strike" among others.
Also in 2016, eight Nollywood films got to screen at the Toronto International Film Festival as part of the festival's City to City programme.
It's two more months before the end of 2016, and the Nigerian film industry still has more to offer movie lovers.
Pulse movies have put together five Nollywood movies to watch out for before the end of the year.
Here we go:

Nollywood, Piracy, and Post-Colonialism

(By Jack Kyono) – At this year’s Toronto International Film Festival, cinephiles and entertainment reporters are abuzz with excitement, the latter framing out the headlines of what has quickly become one of the premier events of the year for film screenings, celebrities, and industry gossip. Many of the top stories come from the usual stars: Chloë Grace Moretz shines in her new film, Brain on Fire; the success of the Rob Reiner-directed biopic, LBJ, affirms the rom-com icon’s successful transition to more serious material, and designer-turned-director Tom Ford unveils the first trailer for his stylish, sophomore feature, Nocturnal Animals.
Behind all the usual Hollywood headlines, however, lies a storyline unknown to the average American, but one that could mean a world of change for an entire continent. As part of the TIFF’s “City to City” program, highlighted are the films of Lagos, Nigeria’s largest city and the center of its prolific and controversial film industry, Nollywood.

Old Nollywood Vs. New Nollywood: Take Two

(AllAfrica) – You may have heard about the recent battle between the old Nollywood and the new Nollywood. It was more like a war of words actually but I'm sure you agree 'battle' sounds more dramatic. Whether you call it war, battle or debate, it's nothing out of the norm. It must be in man's nature for the old to contend with the new and vice versa. Although as in most things, trust the Nigerian factor to emerge as the protagonist of this age old struggle for supremacy/relevance.
What started this latest battle between the old and the new stemmed from film maker Charles Novia's interview with Emma Ugolee on The Gist in which he reportedly dismissed some new Nollywood actors as Instagram stars, etc, etc. His companion on the day was fellow film maker Moses Inwang who had issues with the fact that some of these actors preferred to see themselves as 'new' Nollywood. I like many people only caught the 'controversy' that this interview generated rather than the original interview.

Contrasting Old and New Nollywood

(TheCable) – Nollywood, as Nigeria’s movie industry is so described, has undergone series of evolution in the past few decades.
In all these phases, significant transformation and changes have been recorded between the film industry of old and present.
These obvious changes have in recent time, given birth to the ‘old and new Nollywood’ debate which often pits veteran practitioners against fresh, popular faces.
Although several productions have brought together talents from both ‘old’ and ‘new’ Nollywood, there remains a certain degree of acrimony between those who laid the foundation of the industry and those dictating the pace at present.
But what exactly is responsible for these not-so-quiet rumblings? What are the differences between the past and present?
Quantity
Back in the days, the volume of movies produced pale in comparison to the current day output of the movie industry.

Nigeria's Multi-Ethnicity: Blessing to Nollywood

Ime Bishop Umoh
(By OlaideOlaitan) – Nigeria is a multi-ethnic country. This status has brought the country different chaos at different times of its history but for the entertainment industry, the diversity of the ethnicity in the giant of Africa nation, is a colossal blessing.
The Nigerian movie industry is endowed with talents from all the geo-cultural regions of the country. The beauty of this assortment has not only made our entertainment industry unique but it has also made Nollywood movies more interesting than it’d have been if Nigeria had no cultural differences.
Sitting down to watch a Bishop Okon with his ‘Calabarness’ can make one temporarily forget the recession rocking the country. An ‘Akpos’ character often played by comedian, Ayo Makun could relieve stress. That is not to talk of the local Yoruba girl character (Jenifa), played by Funke Akindele in her Jenifa’s Diary. A doctor won’t lose his medical licence if he/she prescribes a dose of Jenifa’s Diary every evening, to a patient about to lose his/her life to depression.
Away from the prophylactic effect that the infusion of the different Nigerian cultures in Nollywood movies has on consumers, this same factor is also the reason why the industry can attain the height of being the third largest movie industry in the world. The value is also reflected on the nation’s account books. The International Monetary Fund (IMF) also confirmed that Nollywood is the second biggest employer in Nigeria.

Abati's Nollywood and Presidential Blame Culture

(By Oris Aigbokhaevbolo) – I’ll admit that I’ve never been very impressed by Reuben Abati’s supposed wonderful columns. Even before his Aso Rock days. So when his last article began to spread around social media, and I looked it up, a small part of what I felt was some kind of vindication. The larger part was shock and sadness.
The man comes very decorated. Degrees, honours, the highest government job for a journalist. So how exactly has he found time to devolve into the scriptwriter of a very bad movie from 1990s Nollywood? I confess I couldn’t quite finish his column the first time and have only just done so. I am a film critic and prefer my Nollywood straight from the screen. When I read, I expect more thought and less melodrama. Instead I get this:
“I am ordinarily not a superstitious person, but working in the Villa, I eventually became convinced that there must be something supernatural about power and closeness to it. I’ll start with a personal testimony. I was given an apartment to live in inside the Villa. It was furnished and equipped.