Showing posts with label Oris Aigbokhaevbolo. Show all posts
Showing posts with label Oris Aigbokhaevbolo. Show all posts

Tuesday, November 01, 2016

Abati's Nollywood and Presidential Blame Culture

(By Oris Aigbokhaevbolo) – I’ll admit that I’ve never been very impressed by Reuben Abati’s supposed wonderful columns. Even before his Aso Rock days. So when his last article began to spread around social media, and I looked it up, a small part of what I felt was some kind of vindication. The larger part was shock and sadness.
The man comes very decorated. Degrees, honours, the highest government job for a journalist. So how exactly has he found time to devolve into the scriptwriter of a very bad movie from 1990s Nollywood? I confess I couldn’t quite finish his column the first time and have only just done so. I am a film critic and prefer my Nollywood straight from the screen. When I read, I expect more thought and less melodrama. Instead I get this:
“I am ordinarily not a superstitious person, but working in the Villa, I eventually became convinced that there must be something supernatural about power and closeness to it. I’ll start with a personal testimony. I was given an apartment to live in inside the Villa. It was furnished and equipped.

Sunday, October 16, 2016

Of Bovi, Comedians and Nollywood

(By Oris Aigbokhaevbolo)--Bovi, king of Nigerian comedy, goes to the movies in It’s Her Day
The contest for supremacy in Nigerian comedy has been taken out of stand-up comic performances and into the movies. With It’s Her Day, top comedian Bovi enters the ring.
The Nigerian film industry loves the comedy form. It’s fast, it’s fun, it’s frequently foolish.
But foolishness has its uses. The last time somebody put a foolish Nigerian on the big screen, he cashed in so much that his film ended up in the Guinness Book of World Records as the highest-earning Nollywood film at the box office. That somebody was the comedian Ayo Makun, aka AY, the film was 30 Days in Atlanta. It is a film that irked many but drew many more to the cinemas.