Adichie Hosts Lupita Nyong'o in Lagos

(By Otosirieze Obi-Young) - Chimamanda Ngozi Adichie Hosted Lupita Nyong’o in Lagos: How It Happened + Photos & Video

Chimamanda Ngozi Adichie hosted Lupita Nyong’o in a private dinner in Lagos, attended by notable personalities in Nigerian entertainment. The event was part of Lupita’s second visit to Nigeria in preparation for the Americanah TV series adaptation, in which she will star as Ifemelu. The series, which has been ordered by HBO Max with Danai Gurira as showrunner and Chinonye Chukwu as director for the first two episodes, will also star Uzo Aduba as Aunty Uju, Zachary Momoh as Obinze, and Corey Hawkins as Blaine.

Chimamanda and Lupita wore near-matching outfits by the Lagos-based womenswear designer Imad Eduso: Lupita in purple, with silver shoes and braids by Zubi, and Chimamanda in shiny green, with blue sandals by TNL designs.

Among the guests were the Nollywood actors Richard Mofe-Damijo, Olu Jacobs, Joke Silva, Nse Ikpe Etim, Omoni Oboli, and Dakore Egbuson; the musicians Femi Kuti, D’banj, Flavour, Omawumi, Waje, and Seun Kuti; the writers and publishers Lola Shoneyin and Eghosa Imasuen; the media entrepreneur Chude Jideonwo; the comedians Chigurl and Bovi; and the actress and singer Onyeka Onwenu, who was given a shoutout in Americanah and played Mama in the Half of a Yellow Sun film. They were all gifted with Narrative Landscape Press’ ankara-bound copies of Americanah.

N is for Nigeria, for Nollywood, and for Netflix

(By Edwin Okolo) - It took them long enough but Netflix Naija is finally here 

The next big battle for the future of media is the streaming wars. Its a war already 30 years in the making starting in the US in the early 90’s with then video giant Blockbuster and relatively new upstart, Netflix. 30 years later, almost every major media network playing in both traditional and digital spaces launching their own streaming services as a way to profit off their content and corner their own niche of the market.

Even Nigerian independent studios are launching streaming platforms. There is Ebony Life On, Linda Ikeji TV and Scene One Productions from Funke Akindele. With Nigeria’s thriving entertainment industry and the proliferation of Nigerian-centric film and television content, it was only a matter of time before Netflix set its sights on the country. Genevieve Nnaji’s Lionheart certainly had something to do with that. It was the first African independent film project bought by Netflix for an exclusive wide release for a rumoured 3 million dollars. Netflix must have recouped the investment because since they have steadily bought the streaming rights for a number of high profile Nigerian films and shows, much of which will make the foundational content for Netflix Naija.

Foolish Men: Sor Juana Inés de la Cruz (1651-1695)

F.C. Ogbalu: Father of Igbo Orthography and Literature

“F. Chidozie Ogbalu (1927-1990), sometimes called the "father" of Igbo language and culture, was born in Adagbe, Abagana, and was a lifelong teacher and champion of his Igbo heritage. He taught Latin, Geography and Igbo at a number of schools, and took a great interest in the Igbo-related controversies of his time. These controversies revolved around efforts to standardize the writing and spelling of the Igbo language, and to improve its numeral system.

Thus in 1948, while teaching at Dennis Memorial Grammar School, Onitsha, Ogbalu wrote a newspaper article in The Nigerian Spokesman attacking the colonial administration for its failure to encourage standardization, and forcefully arguing against a new "Adams-Ward" orthography being advocated by some linguists. This orthography, which he called "obnoxious," involved phonetic symbols that would inevitably have complicated the process of learning to read the language. Ogbalu's principal at Dennis Memorial then advised him that instead of writing to the newspapers, he would do better to write and publish his own material in the Igbo language. Ogbalu took up the challenge, and by the following year he had founded the Society for Promoting Igbo Language and Culture (SPILC). He was then only 22 years old. (Eight years later, carrying the advice a step further, he established the Varsity Press in Onitsha.)

Omugwo: Traditional Igbo After-Birth Care

(From okwuid.com) – OMUGWO: Traditional Igbo After-birth Care

There is always delight and anticipation in the air when and Igbo family are expecting a new child.

The family unit is at center to Igbo culture. And whilst pregnancy can be an exciting, scary and nerve-wracking experience all rolled into one. It is a process that Igbos hold in very high regard.

Despite this, pregnancy can be a challenging time where your body and lifestyle will go through many unexpected changes.

These changes can leave new mothers feeling overwhelmed without a robust support network made up of family and friends.

Igbo culture’s answer to these post-natal challenges is a practice called “Omugwo”.

As part of the Omugwo process the mother, mother in law or close female relative stay with the new mother in the first few weeks/months to assist and care for the new mother and baby.

During Omugwo the new mother is fed a special diet and given traditional massages to help her body return to the pre-pregnancy state.

The aim of Omugwo is to offer new mother a robust form of after-birth care, it is necessary so that the new mother can rest well to regain her strength. Family support also means conditions like post-natal depressions become less prevalent. 

Of Kannywood, Okada, Danfo: Nigerianisms and Language Evolution

(By Danica Salazar) - Release notes: Nigerian English

My English-speaking is rooted in a Nigerian experience and not in a British or American or Australian one. I have taken ownership of English.

          This is how acclaimed Nigerian writer Chimamanda Ngozi Adichie describes her relationship with English, the language which she uses in her writing, and which millions of her fellow Nigerians use in their daily communication. By taking ownership of English and using it as their own medium of expression, Nigerians have made, and are continuing to make, a unique and distinctive contribution to English as a global language. We highlight their contributions in this month’s update of the Oxford English Dictionary, as a number of Nigerian English words make it into the dictionary for the first time. 

The majority of these new additions are either borrowings from Nigerian languages, or unique Nigerian coinages that have only begun to be used in English in the second half of the twentieth century, mostly in the 1970s and 1980s.

One particularly interesting set of such loanwords and coinages has to do with Nigerian street food. The word buka, borrowed from Hausa and Yoruba and first attested in 1972, refers to a roadside restaurant or street stall that sells local fare at low prices. Another term for such eating places first evidenced in 1980 is bukateria, which adds to buka the –teria ending from the word cafeteria.