Prologue to Azuh Arinze's Journalism Encounters

Encounters: Lessons from my Journalism Career

Prologue by Chijioke Azuawusiefe

      Human interactions generate memories and lessons. Positive lessons enrich and equip the individuals involved with a base for favorable future relationships. Not-so-positive ones provide them with insights on how to remodel similar experiences going forward. In Encounters: Lessons from my Journalism Career, Azuh Arinze captivatingly recounts some of the significant associations that made his career and shares the most inspiring takeaways of competence, dedication, hard work, tenacity, generosity, and gratitude which he has painstakingly teased out from those life-changing relationships in his close-to-three-decades outstanding profession as a consummate journalist. 

        For seventeen years, Azuh, whom I call “Igwe Journalism” because of the mastery and preeminent command he demonstrates in the exercise of his métier, worked at Fame and Encomium Weekly, two of the most influential soft sell magazines of their time and the Facebook and Instagram of their day. Who read Encomium in its heyday and did not eagerly look forward to Azuh’s “Potpourri” column to catch up with “the latest gist” on which celebrity showed up at which upscale hangout or club, did what, with whom, and then zoomed off in the latest model of their vehicle brand, with registration number XYZ? Yes, Azuh was (and still is) that thorough. He would go on to edit Encomium for eight years, after editing (from 1999 to 2000) its sister publication, Reel Stars—one of the first magazines dedicated to covering Nollywood and its stars, filmmakers, and marketers.

Of Nigerian Politics, Meddlesome Godfathers, and Suspended Anambra Traditional Rulers

Anambra State Governor Obiano (R) hands certificate of
recognition to traditional ruler

(By Comfort Obi) - Anambra: Time To Tell These Traditional Rulers The Truth

          Let me start by saying that I am from a solid Royal Home. Not the kind of Royal Homes that are two for a kobo, now, scattered all over Igbo land. The one I come from is very much over a Century old. And even though I don’t prefix my name with Princess, I understand what it is to  be  one. 

My respect for the traditional institution is, therefore, sky high. And I feel really bad when I see any of them being humiliated. Which is the angle from which a number of people want me to look at the shame playing out in Anambra State.

I am likely to disappoint them here.

I believe very much in the Igbo adage which says: “When adults reduce themselves to rice, children feast on them.” In sum, that is the story of what happened in Anambra State. Some traditional rulers reduced themselves to rice, and were feasted upon from Anambra, to Abuja, and back to Anambra.

For a couple of reasons, not relevant here, I am not a fan of Willie Obiano, the Anambra State Governor. But last week, I grudgingly gave him a thumbs-up.

Obiano, in an unprecedented action, suspended 13 Traditional Rulers. He did well. The suspension, he ordered, would last for an initial one year, after which it could be lifted, or extended. I don’t agree.

The Marriage Whisperer: A Review

The Marriage Whisperer

A Review by Chijioke Azuawusiefe, SJ

          Marriage has been designated a number of things ranging from sacrament to business, with in-betweens like covenant, union, vocation, institution, partnership, social construct, and even horse race. It all depends on who does the classification and those involved in the relationship. But in all the cases, one factor remains certain: marriage is a work in progress. Those involved work at it and that work takes different forms for different couples. 

The Marriage Whisperer tells a fascinating story of six middle-aged women who, leveraging the support and the company of their friendship, navigate the challenges of their marriages and relationships. Tess Ajibosin, in this debut novella, paints a picture of strong characters who, nonetheless, are human enough to acknowledge their vulnerabilities when it comes to their associations with men, even though they do not allow their shortcomings to diminish them. Ajibosin leverages the experiences of these women to bring the broad strokes of her brush to bear on the gender and patriarchal conversations canvas in contemporary Nigeria. She then traces the contours of these discourses through the individual lives of the narrator, Camille, and her friends, as each confronts and comes to terms with the relationship blues that her life presents. 

Nollywood: Omoni Oboli and Gender Equality

(By Ijeoma Chinonyerem) - Before now, I rarely watch movies by Omoni. But since I came home, the family and I have watched plenty of her movies on Netflix and I just have to stan. 
In all the movies produced by Omoni's production company, there is a conspicuous or subtle promotion of egalitarian ideals. 

No matter how trite the storyline is or how weak the jokes are, you cannot miss the infusion of these feminist ideals here and there.

In Wives on Strike, they reinforced consent even in marriage. Did you notice that NONE of the husbands in the movie forced the wives to have sex. Did you notice? Did you? Nothing like "your body belongs to me cos you're my wife".

The wives retained FULL bodily autonomy, starting from the senator's wife to the mechanic's wife to even the prostitute. Reinforcing what we've been preaching that NO IS NO even in marriage. It was a teachable moment that even when married, consent can still be denied and forcing it is rape. No husband raped their wife.

In Okafor's Law, Toyin's character said something which resonated with me. She said "you women think that by slaving away for men, he will pick you. Get some self esteem. Grow up".

Gbowam!!!

African Literature is a Country

Image credit Suad Kamardeen

(By Lily Saint and Bhakti Shringarpure) - African literature is a country

          What if you survey African literature professors to find out which works and writers are most regularly taught? Only a few canonical ones continue to dominate curricula. 

          This is the first post of the series “African Literature is a Country” which asks how we decolonize literary studies today.
          We would like to thank Henry Vehslage for his assistance in organizing and gathering all the information and Dr. Erin Butler for help in interpreting the data. An additional heartfelt thanks to the late Professor Tejumola Olaniyan for his support and advice on this project.

          African literary studies today is a site of deep paradox. On one hand, the last two decades have seen astonishing growth for African literature in the global North and South, evidenced by lucrative publishing deals; new prizes and grants; literature festivals; the establishment of many new presses and imprints; and an increase in blogs and platforms that disseminate and discuss these developments. On the other hand, African literature continues to exist on the margins of the academic mainstream and is also underrepresented within larger reading publics.