Showing posts with label Kanayo O. Kanayo. Show all posts
Showing posts with label Kanayo O. Kanayo. Show all posts

Tuesday, September 17, 2019

"Living in Bondage: Breaking Free" - A Sequel


Ramsey Nouah (L) and Kenneth Okonkwo
(By BellaNaija) – [A] sequel to Nollywood classic “Living In Bondage” is here … and it is titled “Living In Bondage: Breaking Free”.

Created by Play Network Africa in conjunction with Native Filmworks, the movie is co-produced by award-winning producer, Steve Gukas, Dotun Olakurin and Charles Okpaleke; and directed by Nollywood star Ramsey Nouah.

Living in Bondage: Breaking Free is the story of Nnamdi, Andy Okeke's mysterious son, and his vaunting quest for the big life, one that he would do whatever it took to realize. Nnamdi’s untamed quest for the quick buck, fast car, easy living, inevitably took him on a perilous journey that is better told by the cast of stellar performers, classic and current, including Kenneth Okonkwo, Kanayo O. Kanayo, Enyinna Nwigwe, Nancy Isime and Munachi Abii.

Monday, March 16, 2015

Ten Years On, Toast for Nkoli and Azuh Arinze

Nkoli and Azuh Arinze
(Sam Kargbo)--Oscar Wilde was definitely not a friend of the marriage institution. According to him, marriage is the best way to end a beautiful friendship. It is the road to lifelong loneliness and grief. He so despises the institution that he recommended it only for the cowards. In his view all men at heart do not marry. His parent's marriage may not have even made sense to him as he saw marriage playing the opposite of what love does for mankind.  
If Azuh Arinze ever read this mischievous character, then he must have done so long after he had developed a sixth sense that defines his manliness in terms of the allegiance he has for the first institution established by God after the creation of man (With due apology to non Christians). Contrary to Wilde's claim that the ideal marriage is the one of which the man is deaf and woman is blind, or that marriage is the last refuge for the impotent, Azuh must have enjoyed the good company of clear sighted and virile friends with successful marriages. With the likes of the Teco Bensons as friends, Azuh was sure to make his parents and the society proud.

Monday, March 03, 2014

Nollywood and Nigeria's Cultural Diplomacy

Kanayo O. Kanayo
I recently obtained the beautifully written and well-argued paper presented by Kanayo O. Kanoyo at a Roundable on Culture and Diplomacy this past January in Washington, D.C. It argues for Nollywood's increasing importance in Nigeria's public diplomacy efforts and I thought it’s worth sharing.

For Nigeria’s Cultural Diplomacy
The choice of the topic is itself germane. In today’s turbulent world, diplomacy means that a country must take steps to achieve political goals and to promote its image in the international arena. It is becoming old fashioned for any country to rely solely on military and economic means in its relationship with other countries of the world. Countries interact with each other through diplomatic channels. Thus, countries have even moved beyond interacting with themselves alone – that is between governments, to interactions that are targeted at the people; that is, government and people; as well as people and people.

This form of diplomacy, called, public diplomacy, that manifests itself through the use of traditional and non-traditional media of communication including film and video, aims primarily at influencing global audiences. This is, as Cull (2007) says, “an attempt to manage the international environment through engagement with a foreign public.”

As it were, the explosion in information and communication technology has occasioned the globalization of print and electronic communication and this has impacted significantly on the number of media users worldwide. It follows then that a country’s status internationally will be determined by how well it controls information flow in the media and how well it manages the cultural component of its diplomacy.