There are no prizes for guessing correctly where the
images will end and how they will be framed, complete with a matching hashtag –
#FirstClassThings maybe – for the viewing pleasure of social media users.
“It was shocking”, says Lorenzo Menakaya, also an actor,
who was aboard the same flight. “I just took one look at her and knew there was
only one place the pictures would end up – Instagram”.
Hers could be excused as “one of those things people do
just for Instagram”, says Ade Akanni, an industry watcher. ”People take
pictures with other people’s property, wording the caption so carefully it
conceals the fact that it isn’t theirs and so they can claim, ‘But I never said
it was mine’. You know?”
For others there is depth in purpose. That is why a
singer, May D, in November 2013, went as far as authorizing a statement about
him acquiring a mansion for N150m, when in reality he had only leased
one-half of the duplex.
“Many of these people lie,” says a travel agent who spoke
on the condition of anonymity. “Harrysong claims he was born in London but his
passport was a virgin one when it was submitted to me two years ago. “I was on
the same flight with Omotola returning from Italy some time ago,” he continues.
“After flying in toilet-end economy seats, she went through business-class exit
when we landed at MMIA.”
It turns out that incidents like those described are the
norm, rather than exception in an industry where ‘packaging’ – Pidgin English
parlance for the struggle to seemingly appear better than one’s current
standing – is a way of life. It rests on a fine line between faith that things
will get better and anxiety that they will not.
As a result, water is made to look like wine and stone is
polished to resemble bread. It is customary – expected even – for celebrities
to strut around like landowners of Earth and live like royalty, regardless of
whether living like this is above their means. For them and their ilk, ‘fake it
till you make it’, has graduated from being just a street slang and evolved
into a motivating mantra.
“Artistes loan cars, clothes, money they can’t pay back
and everything else just to attend events or to show off on social media and
impress fans,” says Fola ‘4lah’ Folayan, on-air personality at Naija Info,
Lagos, and founder of DearArtisteTM, an artiste career development blog. Fola
stresses that modern Nigerian artistes have taken the phrase too literally. “We
have seen those things backfire and it’s just a colossal embarrassment,” she
added.
“What we actually call packaging, is professionally known
as branding,” she explains. “Branding is an especially powerful marketing tool
for artistes because it’s all about communicating their music to the people
they want to attract. In the process, the artiste’s image (look, outfits,
mannerisms and language) online presence, event appearances and more will have
to be packaged to appeal to his target audience.”
“Truth is celebs the world over fake it,” argues popular
blogger, Lateefah ‘That1960Chick’ Ayoola. “There are fake relationships created
by PR machines, fake marriages, fake drama, even fake babies; all done by
massive PR teams in an effort to keep the public talking about their client.
It’s all about having a public image and keeping people talking.”
In the end, so much money and effort is spent on faking
it, that inconsistencies arise and the practitioner ends up the worse for it,
having to spend more to maintain the status quo. Those who genuinely have the
assets are of course doubted.”
The society is to blame, says Frederick Aroro, a regular
commenter on Linda Ikeji’s blog: “Who loves a broke, starving artiste?”
The gospel according to Linda Ikeji
Pop culture blogger and snoop-a-holic Linda Ikeji has over
the years become the Bible of Pop for celebs and wannabes, their fans, foes and
onlookers across Nigeria. All cadres of citizens refresh her blog by the hour
for hot gist, sizzling rumours and a progress report on the Who’s Who in
Nigeria.
“If you submit a proposal to a client for publicity and he
does not see Linda Ikeji on it as a publicity outlet, he’ll smile and tell you:
‘I’ll get back to you’ and never contact you again because to him, you are not
serious”, posits Seun Oluyemi, a consultant with YNaija TV.
Accordingly, she has – and other bloggers too – been
accused of fuelling the habit of ‘packaging’ with a random post every now and
then attributing arbitrary prices to any luxury item associated with a
celebrity, for the viewing pleasure of the gullible public.
4lah defends the tribe: “Bloggers have nothing to do with
this in my opinion; after all it’s their job to blog. So they see photos and
hear stories and they blog as long as traffic is guaranteed”.
“Sometimes Linda Ikeji can say something is worth this and
it doesn’t mean it actually costs that amount”, comedian and singer, Tunde
Ednut pointed out in a polemical interview on YNaija’s talk show, Rubbin’
Minds in December 2013. He simply reinforced the beliefs of many in the
know.
Ms. Ikeji has herself been accused of inflating the price
of a 2011 Infiniti FX35 SUV which she claimed to have bought for N8
million – and which true to type, she blogged about. Investigations reveal that
a brand new model sells in the range of $38,084 – $42,600 (N6,207,681 – N6,943,787).
This leads us to another question. Was Linda Ikeji cheated
by her car dealer? Or was she simply practising an art she has so elevated?
Dubai chillin’
In recent years, the most populous city in the United Arab
Emirates (UAE), Dubai, has become the new Mecca for Nigerian celebrities who
desire a vacation. Its posh hotels and classy malls beckon to prospective
customers, who have simply given up, and keep answering its calls.
Linda seems doubly fascinated by the city – which she has
previously visited – and a number of celebrities who have holidayed there
appear hooked as well.
In January 2014, Enugu-based actress, Chike Ike holidayed
there and the (free) coverage accumulated enough footage to shoot a biopic on
her, complete with a sequel Nollywood-style. Ms. Ike who inundates social media
with pictures during her trips – claiming to ‘educate them’ as many have never
been abroad – is one of Linda’s favourites and a rumoured close friend.
The blogger also dedicated a few posts to the ‘low-key’
white wedding ceremony that superstar 2face and his beau, Anne Idibia decided
to have in the city dubbed “The City of Gold”. However, there was little
coverage on the blog – and on most mainstream media – of the behind-the-scenes
activity of the multitude that thronged there.
One of the guests, a former manager of an in-demand
superstar, told this reporter, “You know how Nigerians can gatecrash. Everyone
wanted to show face, just to belong and lay claim to being in 2baba’s inner
circle or brag about being able to sponsor themselves to Dubai for just a weekend.
Only about 200 guests were allowed into the main venue of the wedding. If I
call names of those who were bounced, you’ll be shocked.”
A survey of trending images released from Dubai during
that period confirms some personalities had photos taken strategically outside
the building and in the hotel lobbies and hallways before and after the
wedding, but none during the actual gig. “They did watchman outside,” continues
our source. “2face’s people warned some of them from Nigeria, but pride didn’t
allow them stay back. Everybody wanted to do ‘Awon Dubai chillin’.”
Entertainment magazine, HipHop World, documented
the gatecrashing afterwards. “Quite a number of people gave out their invites
to friends who were overjoyed to attend even if they didn’t know Annie ad 2face
personally. They made it worse by coming with other friends who were equally
not invited.”
It also spotlighted the tussle to get on the luxury boat
conveying guests to a private island for the reception, writing: “It wasn’t
easy even for 2face and Annie to get onto their own love boat. Two-time
senator, Florence Ita-Giwa, tried to get in but she was pushed back.”
Perhaps the most salient reason for passing off as being
equally rich and famous stems from the desire to keep up with the Kardashians’
Joneses. From time to time, it is commonplace for entertainers and their posse,
to bump across colleagues and brag about their appearance or status and
jokingly diss their comrades’. So it becomes imperative that everyone buckle up
or pretends to, so as to prevent a repeat occurrence.
The celebrity wars also take another dimension
intermittently as a string of other celebs stoop to indict their own; from TV
personality Uti Nwachukwu – whose relationship with newbie Saeon is viewed with
a level of suspicion reserved for grand publicity stunts – to Port Harcourt
supremo, Duncan Mighty, seen posing with a Phantom Rolls Royce he “borrowed”
for a video shoot.
For so long, it was assumed that pop-star duo, PSquare
were the owners of a private jet in which they appeared to always be lounging
in and taking pictures of. Granted, they did not precisely say –or tweet – that
they owned one but, and quite importantly, they created the illusion that they
did. Like a bolt from the blue, in that December 2013 Rubbin’ Minds
interview, Tunde Ednut revealed that the twins did not own a private jet. The
aircraft they were seen lounging in is, according to Ednut, the toy of
multimillionaire Togolese footballer, Emmanuel Adebayor, a good friend of the
Okoyes.
“Even almighty PSquare get intimidated too”, sneers
Akanni.
“60-70% of the things we see are majorly hype. We know
those who have and those who are just hype”, Ednut declared with a note of
finality, ending with lyrics better than any his music career has churned –
“its show business; show your business or fake it till you make it”.
Some arrogate their family property to themselves too as
is the case of Davido (real name, David Adeleke) whose fleet of cars do not all
belong to him directly but to his billionaire father who owns a car dealership.
According to a family insider, the elder Adeleke is very controlling, even
locking HKN letterhead papers in his bedroom so the label operations are
verified by him and ensuring his boy stayed in school to eventually graduate.
“He passes off his father’s cars as his because he can use them sometimes and
‘my papa thing na my thing’.”
Doctoring the spin
A lot of the blame has been pushed to the door of
modern-day publicists who take advantage of the naiveté of a public that
continues to be influenced by what they see in the media. It is publicists who
conveniently ‘leak pictures to the press, wire money to blogs and attach
pictures in mails with subject headers using the templates: “XYZ spotted
drinking pure water on a yacht”, “XYZ spotted with ABC: are these two dating?”
“I think it’s time PR people become professional and learn
the tools of the trade properly”, says 4lah.
Every press release announcing a rising act’s signing to a
record label reflects the usually vague words “multi-million naira recording
deal” with “a house and a car” following not far behind. ‘Endorsement deal’ is
another phrase flung about too carelessly by brand managers even for a
five-second cameo of the subject in an ad campaign for a product. All of this
is to boost perceived status and drive appearance fees, already hefty or not,
even higher. It is, of course working.
There are certain events, Akanni says, where a
high-profile act, say Ice Prince is low-key headlining pro-bono or for a
quarter of his usual fee, either for the sake of friendship or to boost his
resume more (yes!), there are C-list acts who perform at the same gig and –
urged on by their management – tweet, “Just turn up on stage; we getting paid”.
“In kind?” he asks.
The extra mile
4lah recalls a popular act visiting her at a home a while
ago. When it was time to leave, he didn’t have enough money to even get a cab
back to the mainland where he lived.
“I convinced him it would be a cheaper ride back home if
he just took an okada,” she narrates. “So I walked him to the junction
and he had to use a white face towel which he carried with him to cover his
face all through the walk to the junction and on the bike. When I told him he
looked ridiculous, he said he had to do that because we are on the island. This
is someone who displays ‘dollars’ on Instagram and hires expensive guards and
security to attend events o!”
Arrangements also exist – Akanni swears by his ancestors –
between some celebs and companies (not telecom) to ‘sign’ and announce
endorsement deals that pay nothing. All that matters to them is the tag ‘brand
ambassador’. For the associated brand, free publicity is the attraction.
Others equally go the extra mile, putting themselves and
their family honour at risk.
Five Star Music – which has so many serial PR gaffes that
it qualifies to be a bull carrying its’ own china shop around – is home to
singers KCee and Harrysong, alongside ace producer Del B who leads a silent
life. While KCee denied his marriage to …, his wife of…years, his label-mate last
month was at the centre of a controversy after a magazine interview in which he
claimed that his parents were siblings. When the backlash blew over, he
backtracked.
“Some artistes, even veterans go to places like Egypt and
Hungary, pushing drugs in the name of performing. To who abeg? Places like that
have only Igbos who don’t listen to Fuji or watch Yoruba films.”
Nevertheless, tabloids celebrate their tour and the cash flows in after any
such trip, so all stays well.
Will there be an end?
Lateefah says, “My major issue with the fake lifestyle
many celebs portray is that there are young impressionable minds that look up
to them and believe it’s real. They believe all I have to do is sing like XYZ
and I will also be buying a Swarovski-encrusted Bentley! I wish these fake
lifestyles came with a disclaimer but sadly they don’t.”
These youngsters are mostly stans who will defend their
favourites till the end of time; Nairaland and the comment sections of blogs
are enough proof. A few dissenting voices however find time to ask questions
like: Where is 2Shotz’s Bentley; was it bought to never be driven? Is D’banj
still on G.O.O.D Music? How come every other Nigerian celebrity is a UN Peace
ambassador?
“No matter how much we deride the “faking it” lifestyle”,
she concludes, “as long as the media continues to report on it, we as a
collective are feeding the monster and it is not going anywhere”.
The brief enjoyment of first-class seats and publicity
rush will ultimately die down, but this monster remains and could return to
hunt these very celebrities as the internet, unlike human beings, is immune to
amnesia. Up-comers in the industry ought to take note.
Source: Eromo Egbejule, YNaija
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